Supergrafik - Flemming Skude
Supergrafik documents the work of Danish architect Flemming Skude and his exploration of large-scale graphic interventions from the 1969 to 1982.
The publication draws on Skude’s analogue archive of sketches, working drawings, and photographic material—fragments of a practice where colour, pattern, and typography are used to activate architectural surfaces and transform spatial experience.
Bringing together projects across Denmark, the book includes works in public space, private commissions, and experimental installations. Rather than following a strict chronology, the material unfolds as a visual sequence, allowing recurring motifs, gestures, and spatial ideas to emerge across time.
Primarily image-driven, the publication foregrounds the energy and immediacy of Skude’s interventions, positioning the work between architecture, graphic design, and art. The book opens with an introductory text by William Pym, offering a concise presentation of Skude’s practice and an outline of supergraphics as a phenomenon.
This publication is conceived both as a retrospective and as a source of inspiration for a new generation of architects and graphic designers—encouraging a renewed exploration of supergraphics within future architectural and design practices.
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Description
Supergrafik documents the work of Danish architect Flemming Skude and his exploration of large-scale graphic interventions from the 1969 to 1982.
The publication draws on Skude’s analogue archive of sketches, working drawings, and photographic material—fragments of a practice where colour, pattern, and typography are used to activate architectural surfaces and transform spatial experience.
Bringing together projects across Denmark, the book includes works in public space, private commissions, and experimental installations. Rather than following a strict chronology, the material unfolds as a visual sequence, allowing recurring motifs, gestures, and spatial ideas to emerge across time.
Primarily image-driven, the publication foregrounds the energy and immediacy of Skude’s interventions, positioning the work between architecture, graphic design, and art. The book opens with an introductory text by William Pym, offering a concise presentation of Skude’s practice and an outline of supergraphics as a phenomenon.
This publication is conceived both as a retrospective and as a source of inspiration for a new generation of architects and graphic designers—encouraging a renewed exploration of supergraphics within future architectural and design practices.
